Júlia Vajda intended not to be compared to anyone, and that was his aproach to art her whole life. Her work spans and connects the two great eras of 20th century Hungarian Modernism, the figurative and surreal world of the sixties of the Hungary based European School (1945-1948), and the seventies' experimental, abstract, conceptual and geometric aspirations. One striking feature of her oeuvre is an unusual diversity. „Haunts, still haunts this diversity..

I belong to those painters who flutter, let themselves be inspired by idea and impulse, not caring about the style of the image"- she wrote about herself in a booklet. Meanwhile she easily torn off from her Central and Eastern European reality, daily life in Hungary in the fifties and sixties. Her entire oeuvre can be characterized with synchrony with contemporary Western European art problems and aspirations.