Late medieval wooden sculptures and panel paintings are to be found in two different exhibition spaces. While most of the winged altarpieces that are fully intact are displayed on the first floor, on the ground floor, single-piece works of art, including components of one-time winged altarpieces that now qualify as such, are in the majority. It is here that visitors can see the earliest pieces in the collection: works that date from the 14th century.

The Hungarian National Gallery opened its re-arranged permanent exhibition focusing on the art of Mihály Munkácsy, which has been expanded with works previously kept in storage as well as international pieces.

The exhibition is introduced by the post-1945 changes, works of art created in the spirit of progressiveness but at the same time linked to pre-war antecedents and testifying to a synthesis of styles that existed side by side and influenced each other (Expressionism, Constructivism, Surrealism, etc.). Visitors can see works from the 1950s: genre paintings, depictions of work and workers, and portraits in accordance with the dictatorship's arts policy of the day, these are stylistically homogeneous and follow the themes laid down at this time. In the next rooms there are works by a new generation.

Non-figurative trends existing in parallel appear as adaptations of Abstract Expressionism as well as of (Neo-)Geometrical, Structuralist and Organic endeavours. Figurative tendencies, versions of Pop Art and Hyperrealism, also significant at the time, are on view in the last section. On the corridor opening from the last row of rooms radical Avant-Garde works can be found primarily built on the use of photography, consisting largely of action documentations, and objects.