2026. June 20. Saturday
Balaton Museum - Keszthely
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Address: 8360, Keszthely Múzeum u. 2.
Phone number: (83) 312-351, (83) 511-335
E-mail: titkarsag@balatonimuzeum.hu
Opening hours: 01.09-31.10.: Tue-Sat 10-17, 01.11-30.: Tue-Sat 10-16
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The exhibition has closed for visitors.
2009.10.18. - 2009.12.07.
Museum tickets, service costs:
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Ticket for adults
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800 HUF
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/ capita
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Group ticket for adults
(min. 8 people)
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600 HUF
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/ capita
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Ticket for students
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400 HUF
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/ capita
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Ticket for pensioners
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400 HUF
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/ capita
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Ticket for families
(2 adults + min. 2 children)
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400 HUF
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/ capita
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Combined ticket
(I PROGRAMME PACKAGE: ticket + guided tour at the permanent exhibition + museum pedagogy activity for student card holders over 10 people )
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750 HUF
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Combined ticket
(II PROGRAMME PACKAGE: ticket + guided tour at the permanent exhibition + museum pedagogy activity + arts and crafts activity over 10 people )
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1450 HUF
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Guide
(on prior notice)
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4500 HUF
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István Nagy B. (1933-2006) was an outstanding art teacher and painter in contemporary Hungarian art.
He was born in Szilvásvárad, attended the Calvinist Collage of Sárospak, then first the Applied Art Academy, and afterwards the Fine Arts Academy in Budapest (1951-1959).
After graduating, he consciously built his career that ended in 2006. During the years of his involvement in art, he ripened his art and developed an approach involving individual forms.
His exceptional intellect allowed him to comprehend and apply various means of painting interpreting his well structured ideas.
His painting art opened up ever recurring opportunities of learning about reality both in the social and transcendent sphere of life.
István Nagy B. often talks about a state when paintings paint themselves, when in a certain aggregate concrete forming of pictures accomplish the basic motif without any control, and when he himself takes places in the message as an instrument. The picture initiatives, as he calls them, are born in this indescribable state of mind, however, necessary for him to create.
"In a state like this man acts as a harnessed horse, with both eyes covered. In this state there is only one important thing: how the picture turns out to be right" - said the artist.
But he is not willing to discuss the secret where it all comes from, what he considers good and bad since this is neither a mapping of fashionable artistic theories, belief systems, learning, nor mysticism.
The review was created by the art historian Ágnes Bakonyvári M.
He was born in Szilvásvárad, attended the Calvinist Collage of Sárospak, then first the Applied Art Academy, and afterwards the Fine Arts Academy in Budapest (1951-1959). After graduating, he consciously built his career that ended in 2006. During the years of his involvement in art, he ripened his art and developed an approach involving individual forms.
His exceptional intellect allowed him to comprehend and apply various means of painting interpreting his well structured ideas.
His painting art opened up ever recurring opportunities of learning about reality both in the social and transcendent sphere of life.
István Nagy B. often talks about a state when paintings paint themselves, when in a certain aggregate concrete forming of pictures accomplish the basic motif without any control, and when he himself takes places in the message as an instrument. The picture initiatives, as he calls them, are born in this indescribable state of mind, however, necessary for him to create.
"In a state like this man acts as a harnessed horse, with both eyes covered. In this state there is only one important thing: how the picture turns out to be right" - said the artist.
But he is not willing to discuss the secret where it all comes from, what he considers good and bad since this is neither a mapping of fashionable artistic theories, belief systems, learning, nor mysticism.
The review was created by the art historian Ágnes Bakonyvári M.
