Event calendar
2026. August
27
28
29
30
31
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9
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2026.05.08. - 2026.08.30.
Budapest
2026.04.24. - 2026.09.20.
Budapest
2025.05.28. - 2025.09.28.
Budapest
2025.04.17. - 2025.05.17.
Budapest
2025.04.10. - 2025.05.11.
Szombathely
2025.04.07. - 2025.04.11.
Budapest
2025.03.28. - 2025.05.11.
Budapest
M80
2025.03.05. - 2025.09.15.
Budapest
2025.02.06. - 2025.05.11.
Budapest
2024.12.13. - 2025.06.30.
Budapest
2012.03.01. - 2012.03.31.
Vác
2012.02.01. - 2012.02.29.
Miskolc
2012.01.22. - 1970.01.01.
Budapest
2011.10.04. - 1970.01.01.
Nagykáta
2011.10.01. - 1970.01.01.
Nagykáta
2011.10.01. - 1970.01.01.
Nagykáta
2011.09.30. - 1970.01.01.
Nagykáta
2011.09.30. - 1970.01.01.
Nagykáta
2011.07.04. - 2011.07.08.
Budapest
Millenáris - Budapest
The House of Future
Address: 1024, Budapest Fény u. 20-22.
Phone number: (1) 336-4044, (1) 336-4076
Opening hours: The Palace of Wonders: Mon-Sun 10-17, Sat-Sun 10-18
The exhibition has closed for visitors.
2003.07.01. - 2003.07.20.
temporary exhibition
Share it, if you like it:
Museum tickets, service costs:
Ticket for adults
1400 HUF
Group ticket for adults
(min. 4 people)
1250 HUF
Group ticket for students
900 HUF
/ capita
Ticket for children
1100 HUF
Ticket for pensioners
1100 HUF
Ticket for families
(max. 6 people)
3900 HUF
/ family
Csaba Pál is an artist of the most versatile branches: drawing, installation, graphics, photography, digital techniques. In addition, he does not even use the techniques used in certain fields in a "pure" way. Among the works made by different techniques there is hardly any similarity in style. These works are connected by the permanent art work and permanent modification.
Replace - Csaba Pál’s paintings
The works are made through several steps. He works on them for a while, then puts them aside to dry. Later he puts some more to them or sometimes takes things away from them. The works places on paper are so thick now as leather.

That is how we get to the key definition of Csaba Pál's art: layers. Csaba Pál seemingly returns to the same place always. He always starts from the beginning. That is how the different phases of work are layered on top of one another. By the side of the dynamic and thick brush lines there appear very mild and thin pencil lines as well. Depending on the angle and distance we look at these pictures, different details will be emphasized.

Anna Bálványos - art historian