2025. May 10. Saturday
Palóc Museum - Balassagyarmat
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Address: 2660, Balassagyarmat Palóc liget 1.
Phone number: (35) 300-168, (35) 500-133
E-mail: info@palocmuzeum.hu
Opening hours: Sat-Sun 9-16
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The exhibition has closed for visitors.
2007.10.20. - 2007.12.31.
Museum tickets, service costs:
Ticket for adults
(26-61 years of age)
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800 HUF
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/ capita
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Ticket for students
(6-26 years of age)
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400 HUF
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/ capita
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Group ticket for students
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4300 HUF
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Group ticket for students
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5600 HUF
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Ticket for pensioners
(62-70 years of age)
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400 HUF
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/ capita
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Ticket for families
(2 adults + 2 children)
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1800 HUF
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/ family
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Combined ticket for families
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2300 HUF
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/ family
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Program ticket
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400 HUF
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/ capita
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Guide
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3500 HUF
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/ group
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Guide
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4700 HUF
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/ group
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Photography
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1200 HUF
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Photography
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1800 HUF
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János Balázs (Alsókubin, 1905- Salgótarján, 1977) started painting in 1971, at the age of 66. The originality of his works, his distinctive way of looking at things is enthralling. His pictures reveal a unique world in which we can see numerous elements of our every-day life, fantastic visions, and impressions. Ida F. Mihály writes: "His pictures capturing the mysteries of being, his idyllic fairy tale landscapes, his archaic visions stirred attention because his art was completely void of academic traditions."

All this knowledge comes through both his writings and paintings very forcefully. He lived in a Gypsy shanty, uneducated, learning by himself, gathering, ripening his memories. He continued to form and shape his thoughts and images until they found their way to be expressed in his paintings and poems. The pictures, which he envisaged as on old man, were put on all sorts of garbage, pieces of wood, broken galss, cardbord, cloths torn of trousers and shirts, or planks received from children, and were coloured by remnants of paint, chalk, pencil or tempera.
János Balázs was and remains to be a unique phenomenon in Hungarian and international world of painting. He worked out a distinctive language than nobody can repeat. It was barely some years that he spent actively working. His poentry and painting did not develop by accident. He painted like a grownup who always remained a child. This is how he could see and show the world, with fantastic colours, animals, landscapes and people.
Adapted the text of Dr. med. Róbert Vajda

All this knowledge comes through both his writings and paintings very forcefully. He lived in a Gypsy shanty, uneducated, learning by himself, gathering, ripening his memories. He continued to form and shape his thoughts and images until they found their way to be expressed in his paintings and poems. The pictures, which he envisaged as on old man, were put on all sorts of garbage, pieces of wood, broken galss, cardbord, cloths torn of trousers and shirts, or planks received from children, and were coloured by remnants of paint, chalk, pencil or tempera.
János Balázs was and remains to be a unique phenomenon in Hungarian and international world of painting. He worked out a distinctive language than nobody can repeat. It was barely some years that he spent actively working. His poentry and painting did not develop by accident. He painted like a grownup who always remained a child. This is how he could see and show the world, with fantastic colours, animals, landscapes and people.
Adapted the text of Dr. med. Róbert Vajda