Event calendar
2025. December
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
1
2
3
4
2025.05.28. - 2025.09.28.
Budapest
2025.04.17. - 2025.05.17.
Budapest
2025.04.10. - 2025.05.11.
Szombathely
2025.04.07. - 2025.04.11.
Budapest
2025.03.28. - 2025.05.11.
Budapest
M80
2025.03.05. - 2025.09.15.
Budapest
2025.02.06. - 2025.05.11.
Budapest
2024.12.13. - 2025.06.30.
Budapest
2024.12.12. - 2025.06.01.
Budapest
2024.10.15. - 2025.08.31.
Budapest
2012.03.01. - 2012.03.31.
Vác
2012.02.01. - 2012.02.29.
Miskolc
2012.01.22. - 1970.01.01.
Budapest
2011.10.04. - 1970.01.01.
Nagykáta
2011.10.01. - 1970.01.01.
Nagykáta
2011.10.01. - 1970.01.01.
Nagykáta
2011.09.30. - 1970.01.01.
Nagykáta
2011.09.30. - 1970.01.01.
Nagykáta
2011.07.04. - 2011.07.08.
Budapest
Fonyód Museum - Fonyód
Address: 8640, Fonyód Bartók Béla u. 3.
Phone number: (85) 560-392
Opening hours: 05.01-15.06.: Tue-Fri 10-17
Sat 10-12
16.06-15.09.:Tue-Fri 10-18
Sat-Sun 14-18
16.09.-20.12.: Tue-Fri 10-17
The exhibition has closed for visitors.
2006.07.01. - 2006.07.28.
temporary exhibition
Share it, if you like it:
Museum tickets, service costs:
Ticket for adults
300 HUF
Ticket for students
200 HUF
Ticket for pensioners
200 HUF
Group guide
(from over 10 people)
1000 HUF
Relaxed atmosphere characterizes the oeuvre of Péreli Zsuzsa. She creates her works with thread instead of paint. She sees like a painter though and she does not use sketches either. Instead, she has her pictures in her head.
A taste of the exhibition
It is only possible to weave a large wall carpet through concentration of months. It requires a unique approach, an opposition with the rushing spirit of our times. Now, besides the new medias of information society, it really looks like archaic.

The French word for handmade wall carpet is 'gobelin'. It was named after a French family of the Middle Ages. It became popular as an independent genre in the second half of the 20th century. Péreli Zsuzsa composes and makes the works herself. Her oeuvre mirrors the infinite possibilities.

'I wanted to be a painter ever since I was four. That time I painted on wrapping paper on the floor. I always painted people. Unfortunately, these first works were not saved. Whatever I had in my hands, I drew on. Wall carpet that I call work therapy, freed me from my doubts. The idea that someone else should do my sketches never really occurred since the carpet is done in my head when I begin to do it. This is the reason why I do not do a color sketch, only a little graphite drawing. The secret of the changes from the little drawing to the ready work, my mental state throughout the work, why I want to give birth to it becomes public when the gobelin is done.'