The Kossuth Prize winner 70-year-old artist Molnár Sándor, member of the Széchenyi Arts Academy began his career at the end of the 50's. He was among the founding members of the Zugló Circle. He was influenced by French abstract paintings. The title of the exhibition is the last station of the program of Molnár, the so-called painter yoga. Air pictures follow degrees of earth, water, fire and crystal pictures as their final destination.

The starting point in the art of Molnár was designed with his tutor, Hamvas Béla, is the view of nature created through abstraction. However, the painter slowly changes this through his intentions and emotions. He creates a new world where the concrete forms of nature are made personal.

The pictures now shown are mostly so-called 'empty pictures' However, they are not really empty, monochrome paintings. As the painter puts it 'emptiness is not the void, but the complete existence that has not manifested yet. After the old painter took down and gave up the world, begs for dying and prepares for the afterlife which is equal to identifing with the void.' The works of Molnár is among the best of Hungarian abstract works. Other artists of teh egnre are Gyarmathy Tihamér, Hortobágyi Endre, Lossonczy Tamás, Martyn Ferenc, Molnár László, Veszelszky Béla.

The free usage of forms in abstraction always meant an extreme needy and strict composition for Molnár. He creates void through colors which is a hard task to do without objects. As if his pictures were out of time, they are not touched by everydays, because they are not interested in the events on the surface of consciousness but the collective subconscious. Its aim is to free reality from illusions, to create a pure spiritual art.