The building hosting the Heimatmuseum was built by János Wéber in 1888. His grandson János Wéber Jr. sold the house where the Local History opened in 1987 to the Town Council of Budaörs at the end of the 1970s.

The water mill built in the middle of the 19th century uses the water of the stream Börzsöny. The long building had used to be a dweling house, a mill and a stable. In the living room today we can visit the exhibition representing the history of the mill industry. The mill is a two-storeyed structure. A wide roof is protecting the wind mill at the cellar level and the power transmitting system connecting to it.

The only museum institution of Inner-Somogy opened in 1979 in Barcs. It collects material from the Dráva region. The document and local history collection of the Dráva Museum holds material focusing on Barcs. The documents of present days, that of factories, families and institutions, are tended with great significance.

Kaposvár is the favored birth place of the two giant painters Rippl Rónai József and Vaszary János - both significant artists of modern Hungarian artwork. Within seven years in 1861 and 1867 they were born here as children of popular pedagogic families.

At the time of its founding the institute was responsible for the organisational, research-development, nation-bondarial and data-archiving tasks of the Geodesy sector. However, its sphere of responsibilities further extended between 1970 and 1997. From the year 1999 a permanent exhibition was gradually established about the history of the discipline.

In 1955 a little group of students - under the leadership of teacher László Neogrády - began to collect relics of local history in Újpest. The devoted company at first collected materials from their friends and relatives. At this time the collection was only large enough to be used for presentations and school activities. The real work started in 1957. From this date on the task of László Nógrády was "merely" to keep and file the items and documents collected. As the collection work grew out of the frames of a school activity.

His house in Kisalag looked like a living museum with all the statues and pictures. He included annual rings, the pinny parts of trees. Since he respected the beauty of the tree, he did not use enamel or paint, even buffer. The chairs, table and wardrobe he himself carved are all on display.