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Hungarian National Gallery - Budapest
Address: 1014, Budapest Szent Gy├Ârgy t├ęr 2.
Phone number: (1) 201-9082
Opening hours: Tue-Sun 10-18
The Hungarian National Gallery, Hungary's largest exhibited collection of fine art, is located in the Buda Palace, buildings A, B, C and D.

Permanent collection: middle ages and renaissance antiquities: gothic wooden sculptures and panel paintings: late gothic triptychs: late renaissance and baroque art: 19th and 20th century painting and sculpture.

Permanent exhibitions
The 20th century permanent exhibition dealing with the most important artists and aspirations until the end of the Second World War is located on the recently renovated second-floor of the museum. The time period we concentrate on is 1896 to 1945, with 150 paintings, 30 statues and 200 coins. continue
The collection contains fragments of sculptures, carved architectural elements of artistic value, and fragments of tombstones from the period stretching from the 11th to the 16th century.

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The ground-floor exhibition of wooden sculptures and panel paintings from the Late Middle Ages continues on the first floor, in the former throne room of the palace, and in two connecting rooms. Here a total of fifteen mostly complete winged altarpieces are on display, along with numerous altarpiece fragments. The majority of the works of art on show here are from the early 16th century. In terms of the number of complete altarpieces and their artistic quality, this assemblage is one of the most important of its kind in Europe.

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The exhibition is introduced by the post-1945 changes, works of art created in the spirit of progressiveness but at the same time linked to pre-war antecedents and testifying to a synthesis of styles that existed side by side and influenced each other (Expressionism, Constructivism, Surrealism, etc.). Visitors can see works from the 1950s: genre paintings, depictions of work and workers, and portraits in accordance with the dictatorship's arts policy of the day, these are stylistically homogeneous and follow the themes laid down at this time. In the next rooms there are works by a new generation.

Non-figurative trends existing in parallel appear as adaptations of Abstract Expressionism as well as of (Neo-)Geometrical, Structuralist and Organic endeavours. Figurative tendencies, versions of Pop Art and Hyperrealism, also significant at the time, are on view in the last section. On the corridor opening from the last row of rooms radical Avant-Garde works can be found primarily built on the use of photography, consisting largely of action documentations, and objects.

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