The exhibition undertakes a review of printmaking, etching, lithography , screen, offset and computer printouts after 1945, as well as an the history of monotype through the presentation of 110 graphics.

One of the most outstanding , the most emblematic representatives of the post-war generation graphics artists was Béla Kondor, who, with his diploma work of art in 1956, hit the profession by, but most of all the socialist culture officials. Parallel with his art, just a few years artists showed similar ripeness in their art, including Arnold Gross with his tale dream world, work, as well as Kálmán Csohány and Zoltán Lenkei with their balladistic tone, or Csaba Rékassy with his classicist , magical realist mode of expression.

Another group of artists in the sixties ( László Lakner, Dóra Maurer , Gábor Pásztor) turned away from classical expression and joined pop art style (Imre Kocsis) . The seventies were characterized by photo (András Baranyay), hard-edge trends dominated ( Pál Deim Imre Bak, János Fájó, intellectual surrealism surfaced ( Árpád Szabados, Imre Szemethy, Aladár Almásy ) and also socially criticism (Sándor Pinczehelyi, Gyõzõ Somogyi and Péter Prutkay). In the eighties, the mixture of styles and respect for technology was detectable in the works (Lászlo Jázsef Molnár, István Orosz , Péter Stefanovits). In the nineties and the first decade of the new millennium, concept art and minimal art broke the scene again (Tamás Kótai, Györgyi Gallusz, Kamilla Szíj) , but the application of computer technology expanded as well (András Koronczi, György Gábor Nagy) .