2024. April 19. Friday
Archibishop - Kalocsa
|
Address: 6300, Kalocsa Hunyadi János u. 2.
Phone number: (78) 462-166 /210, (30) 575-0702
E-mail: kincstar@asztrik.hu
Opening hours: 01.04-31.10.: Tue-Sun 9-17
Also at other times on prior notice. |
The idea to present the memoirs of the ecclesiastical art of the Primacy of Kalocsa was worded in 1980. This was the time when the most valuable work of arts was started to be collected.
The classic treasury was founded by the former archbishops of Kalocsa. The artistically created liturgical tools and clothing were destroyed in 1529 when the Turkish invaded the town. But the same happened to all of the churches of the County, hundreds of years' work was demolished by the invasion. It is obvious that the artworks collected are from the period after the leave of the Turkish: 18-19th centuries. The pieces that were made earlier were either bought by the church or were given to it. At the second half of the 19th century Imre Henszlmann, at the beginning of the 20th century Ernő Foerk also found valuable pieces through the excavations they performed.
The first permanent exhibition showing the collected artworks opened on 19, August, 1988. The founders had only one exhibition on mind, but since more and more pieces were given to Kalocsa a storehouse was necessary to be had. The dilapidated churches presented their artworks to Kalocsa. Many of the pieces were given to the church as a heritage. In each year a few pieces managed to be restored.
'The task of the Treasury of the Primacy was becoming more clear: the institutions named Treasury of the Primacy of Kalocsa-Kecskemét and the Collection of Kalocsa Ecclesiastical Center aimed at collecting, registering, processing, restoring, and publishing information on the objects important from the point of view of art history from all around the area. They also aimed at presenting the objects at exhibitions and other possible ways. The Treasury of the Primacy gives professional help to the churches of the area in preserving the art objects found and kept by the churches, and also in creating a way to guard them. If necessary, it will provide a proper placement and treatment for those objects that are in need of it. It also helps the succession from the point of view of the protection of work of arts found at the area of church.'
(Quotation from the SZMSZ)
The classic treasury was founded by the former archbishops of Kalocsa. The artistically created liturgical tools and clothing were destroyed in 1529 when the Turkish invaded the town. But the same happened to all of the churches of the County, hundreds of years' work was demolished by the invasion. It is obvious that the artworks collected are from the period after the leave of the Turkish: 18-19th centuries. The pieces that were made earlier were either bought by the church or were given to it. At the second half of the 19th century Imre Henszlmann, at the beginning of the 20th century Ernő Foerk also found valuable pieces through the excavations they performed.
The first permanent exhibition showing the collected artworks opened on 19, August, 1988. The founders had only one exhibition on mind, but since more and more pieces were given to Kalocsa a storehouse was necessary to be had. The dilapidated churches presented their artworks to Kalocsa. Many of the pieces were given to the church as a heritage. In each year a few pieces managed to be restored.
'The task of the Treasury of the Primacy was becoming more clear: the institutions named Treasury of the Primacy of Kalocsa-Kecskemét and the Collection of Kalocsa Ecclesiastical Center aimed at collecting, registering, processing, restoring, and publishing information on the objects important from the point of view of art history from all around the area. They also aimed at presenting the objects at exhibitions and other possible ways. The Treasury of the Primacy gives professional help to the churches of the area in preserving the art objects found and kept by the churches, and also in creating a way to guard them. If necessary, it will provide a proper placement and treatment for those objects that are in need of it. It also helps the succession from the point of view of the protection of work of arts found at the area of church.'
(Quotation from the SZMSZ)