2024. March 28. Thursday
The Vaszary Gallery - Balatonfüred
|
Address: 8230, Balatonfüred Honvéd u. 2-4.
Phone number: (87) 950-876 /1
E-mail: vaszary.foglalas@furedkult.hu
Opening hours: Tue-Sun 10-18
|
The exhibition has closed for visitors.
2015.09.21. - 2016.01.03.
Museum tickets, service costs:
Individual ticket for adults
|
2200 HUF
|
|
Individual ticket for adults
(Balatonfüred-ticket)
|
1100 HUF
|
|
Group ticket for adults
(min. 10 people)
|
2000 HUF
|
/ capita
|
Group ticket for adults
(Balatonfüred-ticket, min. 10 people)
|
990 HUF
|
/ capita
|
Individual ticket for students
|
1100 HUF
|
|
Group ticket for students
(min. 10 people)
|
990 HUF
|
/ capita
|
Individual ticket for teachers
|
1100 HUF
|
|
Group ticket for teachers
(min. 10 people)
|
990 HUF
|
/ capita
|
Individual ticket for pensioners
|
1100 HUF
|
|
Group ticket for pensioners
(min. 10 people)
|
990 HUF
|
/ capita
|
Ticket for families
|
4800 HUF
|
/ family
|
Individual combined ticket for adults
(Vaszary Gallery + Mór Jókai Memorial Museum)
|
3500 HUF
|
|
Individual combined ticket for adults
(Balatonfüred-ticket, Vaszary Gallery + Mór Jókai Memorial Museum)
|
1600 HUF
|
|
Individual combined ticket for adults
(Mór Jókai Memorial Museum + Vaszary Gallery + Vitorlázeum)
|
4800 HUF
|
|
Individual combined ticket for adults
(Balatonfüred-ticket, Mór Jókai Memorial Museum + Vaszary Gallery + Vitorlázeum)
|
2400 HUF
|
|
Group combined ticket for adults
(Vaszary Gallery + Mór Jókai Memorial Museum, min. 10 people)
|
2800 HUF
|
/ capita
|
Group combined ticket for adults
(Balatonfüred-ticket, Vaszary Gallery + Mór Jókai Memorial Museum, min. 10 people)
|
1400 HUF
|
/ capita
|
Individual combined ticket for students
(Vaszary Gallery + Mór Jókai Memorial Museum)
|
1600 HUF
|
|
Individual combined ticket for students
(Mór Jókai Memorial Museum + Vaszary Gallery + Vitorlázeum)
|
2400 HUF
|
|
Group combined ticket for students
(Vaszary Gallery + Mór Jókai Memorial Museum, min. 10 people)
|
1400 HUF
|
/ capita
|
Individual combined ticket for teachers
(Vaszary Gallery + Mór Jókai Memorial Museum)
|
1600 HUF
|
|
Individual combined ticket for teachers
(Mór Jókai Memorial Museum + Vaszary Gallery + Vitorlázeum)
|
2400 HUF
|
|
Group combined ticket for teachers
(Vaszary Gallery + Mór Jókai Memorial Museum, min. 10 people)
|
1400 HUF
|
/ capita
|
Individual combined ticket for pensioners
(Vaszary Gallery + Mór Jókai Memorial Museum)
|
1600 HUF
|
|
Individual combined ticket for pensioners
(Mór Jókai Memorial Museum + Vaszary Gallery + Vitorlázeum)
|
2400 HUF
|
|
Group combined ticket for pensioners
(Vaszary Gallery + Mór Jókai Memorial Museum, min. 10 people)
|
1400 HUF
|
/ capita
|
Combined ticket for families
(Vaszary Gallery + Mór Jókai Memorial Museum, 2 adults + child)
|
7700 HUF
|
/ family
|
Combined ticket for families
(Mór Jókai Memorial Museum + Vaszary Gallery + Vitorlázeum, 2 adults + child)
|
10500 HUF
|
/ family
|
Individual guide
|
3000 HUF
|
|
Group guide
(min. 4 people)
|
12000 HUF
|
/ group
|
Modern Hungarian painting first emerged in Nagybánya in the last years of the 19th century. It was as if the dull curtains of romanticism and academism had been torn open and a reality exuding colour and vitality had suddenly flooded the stage.
Painters left the studio and entering the landscape they began painting in nature, discovering a new world: the thus far unknown brilliance of light and shadow, and colours vibrating in the air. Many types of talented people worked in the artists’ colony, patiently observing one another and enjoying how they were able to immerse themselves in the many painterly opportunities provided by the landscape. They even depicted biblical themes in the natural environment.
Painting in the open air was not simply a technical innovation or method but an act of symbolic importance, allowing artists to enter the realm of artistic freedom. The writer Sándor Bródy saw “the beautiful future of Hungarian painting” in these artists.
At the beginning of the 20th century there were artists whose lonely artistic path took a different direction. With his landscape compositions and scenes replete with figures Csontváry turned to the myths of biblical dimensions from bygone cultures thousands of years in the past. In his art Gulácsy engaged in a play with costumed figures from the Renaissance and the Baroque, while Mednyánszky descended into the depths of human destiny and the soul.
Painters left the studio and entering the landscape they began painting in nature, discovering a new world: the thus far unknown brilliance of light and shadow, and colours vibrating in the air. Many types of talented people worked in the artists’ colony, patiently observing one another and enjoying how they were able to immerse themselves in the many painterly opportunities provided by the landscape. They even depicted biblical themes in the natural environment.
Painting in the open air was not simply a technical innovation or method but an act of symbolic importance, allowing artists to enter the realm of artistic freedom. The writer Sándor Bródy saw “the beautiful future of Hungarian painting” in these artists.
At the beginning of the 20th century there were artists whose lonely artistic path took a different direction. With his landscape compositions and scenes replete with figures Csontváry turned to the myths of biblical dimensions from bygone cultures thousands of years in the past. In his art Gulácsy engaged in a play with costumed figures from the Renaissance and the Baroque, while Mednyánszky descended into the depths of human destiny and the soul.